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	<title>Comments on: The Perils of DIY, Part 8</title>
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	<link>http://www.iddream.com/2007/08/21/the-perils-of-diy-part-8/</link>
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		<title>By: Randy Bishop</title>
		<link>http://www.iddream.com/2007/08/21/the-perils-of-diy-part-8/comment-page-1/#comment-53328</link>
		<dc:creator>Randy Bishop</dc:creator>
		<pubDate>Tue, 21 Aug 2007 20:56:21 +0000</pubDate>
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		<description>&lt;blockquote&gt;Most likely it comes from some sort of “better than you” attitude where venue owners or other bands feel a certain power than to be bothered to communicate politely and effectively.&lt;/blockquote&gt;

Definitely.  The ironic side of this notion is the last point I made in the post.  Typically, big bands aren&#039;t the ones with communication breakdowns.  It&#039;s the small, struggling, know-me-nots that have their foot rammed down their throat.

These bands are blind to the fact that part of the reason bands like The Hard Lessons and The Silent Years are doing well is because they work their asses off in every aspect of being in a band!  They&#039;re constantly writing, touring, and all the while responding to emails and phone calls.  Don&#039;t get me wrong, it takes a great deal of coordination but if you want to achieve that elusive, &quot;make a living off my music&quot; thing you better get your sh*t together.</description>
		<content:encoded><![CDATA[<blockquote><p>Most likely it comes from some sort of “better than you” attitude where venue owners or other bands feel a certain power than to be bothered to communicate politely and effectively.</p></blockquote>
<p>Definitely.  The ironic side of this notion is the last point I made in the post.  Typically, big bands aren&#8217;t the ones with communication breakdowns.  It&#8217;s the small, struggling, know-me-nots that have their foot rammed down their throat.</p>
<p>These bands are blind to the fact that part of the reason bands like The Hard Lessons and The Silent Years are doing well is because they work their asses off in every aspect of being in a band!  They&#8217;re constantly writing, touring, and all the while responding to emails and phone calls.  Don&#8217;t get me wrong, it takes a great deal of coordination but if you want to achieve that elusive, &#8220;make a living off my music&#8221; thing you better get your sh*t together.</p>
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		<title>By: Cas Kopacki</title>
		<link>http://www.iddream.com/2007/08/21/the-perils-of-diy-part-8/comment-page-1/#comment-53266</link>
		<dc:creator>Cas Kopacki</dc:creator>
		<pubDate>Tue, 21 Aug 2007 19:09:17 +0000</pubDate>
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		<description>I think that this communication conundrum is based primarily on the fact that the art of communication has decidedly been shoved aside.  Basically, no one is polite anymore, especially in the music/art venue arena.  Most likely it comes from some sort of &quot;better than you&quot; attitude where venue owners or other bands feel a certain power than to be bothered to communicate politely and effectively.  I run into this frequently.  Strangely enough, what should have enabled a quicker and more effective avenue for response, email seems to only have pushed communication techniques right out the door and over the edge.</description>
		<content:encoded><![CDATA[<p>I think that this communication conundrum is based primarily on the fact that the art of communication has decidedly been shoved aside.  Basically, no one is polite anymore, especially in the music/art venue arena.  Most likely it comes from some sort of &#8220;better than you&#8221; attitude where venue owners or other bands feel a certain power than to be bothered to communicate politely and effectively.  I run into this frequently.  Strangely enough, what should have enabled a quicker and more effective avenue for response, email seems to only have pushed communication techniques right out the door and over the edge.</p>
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